ONTOLONE
I’ve been passionate about filmmaking and experimental cinema for many years, with a particular focus on editing as a form of expression. Two of the films, titled Experiments with Sound and Image, are not intended for a general audience — they are part of an ongoing project that began in 2016, gradually unfolding as a 7-part series.
Observe and See
(2016)
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An experimental documentary exploring the restless, unfiltered pulse of London — its collisions, distractions, and unseen rhythms. Structured around the principle of Brownian movement, the film assembles fragments of urban life into a non-narrative flow, drawing inspiration from Soviet montage to reveal a city in constant, unconscious motion.
Experiments with Sound and Image - 1
(2016)
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Trigger warning: flashing imagery
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A sequence of still photographs paired with evolving soundscapes. This film studies the quiet tension between image and audio — how sound can anchor, distort, or reframe what we see.
Experiments with Sound and Image - 2
(2021)​​​
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A more abstract exploration of sound as a visual substance. Here, audio behaves like water — bending, bleeding, and shaping the space around it. The image follows, dissolves, and re-emerges.